My Fair Lady Soundtrack Download

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My Fair Lady
MusicFrederick Loewe
LyricsAlan Jay Lerner
BookAlan Jay Lerner
BasisPygmalion
by George Bernard Shaw
Productions1956 Broadway
1957 US Tour
1958 West End
1976 Broadway
1978 UK Tour
1979 West End
1980 US Tour
1981 Broadway
1993 US Tour
1993 Broadway
2001 West End
2005 UK Tour
2007 US Tour
2008 Australian Tour
2016 Australian Tour
2018 Broadway
AwardsTony Award for Best Musical

My Fair Lady Soundtrack is a English album released on Oct 1994. My Fair Lady Soundtrack Album has 27 songs sung by Andre Previn, Wilfrid Hyde-White, Marni Nixon. My Fair Lady (1964) un film de George Cukor - Avec Audrey Hepburn, Rex Harrison, Stanley Holloway 8 OSCARS ★ CINEMA & SPECTACLES https://www.facebook.com/gro.

Fair Game Soundtrack (by Mark Mancina) The Little Prince Soundtrack (by Frederick Loewe) State Fair Soundtrack – 1945 and 1962 Versions (by Oscar Hammerstein II & Richard Rodgers) Vanity Fair Soundtrack (by Mychael Danna) Walt Disney and the 1964 World’s Fair Soundtrack; Paint Your Wagon Soundtrack (Nelson Riddle, Frederick Loewe and Andre.

Lady

My Fair Lady is a musical based on George Bernard Shaw's Pygmalion, with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phoneticist, so that she may pass as a lady. The original Broadway and London shows starred Rex Harrison and Julie Andrews.

The musical's 1956 Broadway production was a notable critical and popular success. It set a record for the longest run of any show on Broadway up to that time. It was followed by a hit London production, a popular film version, and many revivals. My Fair Lady has been called 'the perfect musical'.[1][2]

  • 5Productions
    • 5.7Other major productions
  • 8Awards and nominations
  • 9Adaptations

Plot[edit]

Act I

It is Edwardian London, the Royal Opera House, Covent Garden. The protagonist, Eliza Doolittle, is a Cockney with a thick, unintelligible accent. Professor Henry Higgins invites Colonel Pickering to stay as his houseguest. Soon after, Eliza Doolittle comes to Professor Higgins's house, seeking elocution lessons. Professor Higgins wagers Colonel Pickering, that in six months he will turn Eliza into a lady by teaching her to speak properly. Eliza is indentured into the Higgins household as a resident elocution student.

My Fair Lady Soundtrack Album

After some weeks, Eliza is introduced to Freddy Eynsford-Hill. Freddy falls in love. Eliza's accent is now refined, and she is now being educated on how to function as a debutante in high society.

Eliza's final test requires her to pass as a lady at the Embassy Ball. After more weeks of preparation, she is ready. All the ladies and gentlemen at the ball admire her, and the Queen of Transylvania invites her to dance with the prince.

For his part, the Hungarian linguist Zoltan Karpathy declares her to be a fellow Hungarian - correctly deducing (though for the wrong reasons) that the English she speaks is not her mother language and that she had been carefully instructed in removing any trace of her native accent.

Act II

The ball was a success. Colonel Pickering and Professor Higgins revel in their triumph, failing to pay attention to Eliza until Higgins asks Eliza to fetch his slippers. Eliza is insulted, then packs up and leaves the Higgins house. She hadn't been given any credit for all the effort she spent on learning her elocution lessons.

Higgins awakens the next morning. He finds without Eliza, he is served tea instead of coffee, and cannot find his files. Colonel Pickering notices the Professor's lack of consideration. Pickering finds another host, and also leaves the Higgins house.

Professor Higgins is despondent and visits his mother. To his surprise, Eliza has been staying with Mother Higgins. Mother Higgins scolds Henry, and enjoins him to apologize to Eliza. Eliza accuses him of wanting her only to fetch and carry for him, saying that she will marry Freddy because he loves her. She declares she no longer needs Higgins. Higgins realizes his heart is broken, and cannot do anything about it.

He reaches the Higgins house. Sentimentally, he reviews the recording he made the day Eliza first came to him for lessons. He hears his own harsh words: 'She's so deliciously low! So horribly dirty!' Then the phonograph turns off, and a real voice speaks in a Cockney accent: 'I washed me face an' 'ands before I come, I did'. It is Eliza, standing in the doorway. In suppressed joy at their reunion, Professor Higgins scoffs and asks, 'Eliza, where the devil are my slippers?'

Characters and original Broadway cast[edit]

The original cast of the Broadway stage production:[3]

  • Eliza Doolittle, a young Cockney flowerseller – Julie Andrews
  • Henry Higgins, a professor of phonetics – Rex Harrison
  • Alfred P. Doolittle, Eliza's father, a dustman – Stanley Holloway
  • Colonel Hugh Pickering, Henry Higgins's friend and fellow phoneticist – Robert Coote
  • Mrs. Higgins, Henry's socialite mother – Cathleen Nesbitt
  • Freddy Eynsford-Hill, a young socialite and Eliza's suitor – John Michael King
  • Mrs. Pearce, Higgins's housekeeper – Philippa Bevans
  • Zoltan Karpathy, Henry Higgins's former student and rival – Christopher Hewett

Musical numbers[edit]

Act I[3]

  • 'Overture' – The Orchestra
  • 'Busker Sequence' – The Orchestra
  • 'Why Can't the English?' – Professor Higgins
  • 'Wouldn't It Be Loverly?' – Eliza and Male Quartet
  • 'With a Little Bit of Luck' – Alfred Doolittle, Harry, Jamie and Company
  • 'I'm an Ordinary Man' – Professor Higgins
  • 'With a Little Bit of Luck (Reprise)' – Alfred Doolittle and Ensemble
  • 'Just You Wait' – Eliza
  • 'The Servants' Chorus (Poor Professor Higgins)' – Mrs. Pearce and Servants
  • 'The Rain in Spain' – Professor Higgins, Eliza, and Colonel Pickering
  • 'I Could Have Danced All Night' – Eliza, Mrs. Pearce, and Servants
  • 'Ascot Gavotte' – Ensemble
  • 'On the Street Where You Live' – Freddy
  • 'Eliza's Entrance/Embassy Waltz' – The Orchestra

Act II

  • 'You Did It' – Colonel Pickering, Professor Higgins, Mrs. Pearce, and Servants
  • 'Just You Wait (Reprise)' – Eliza
  • 'On the Street Where You Live (Reprise)' – Freddy
  • 'Show Me' – Freddy, then Eliza
  • 'The Flower Market/Wouldn't It Be Loverly? (Reprise)' – Eliza and Male Quartet
  • 'Get Me to the Church on Time' – Alfred Doolittle and Ensemble
  • 'A Hymn to Him' – Professor Higgins and Colonel Pickering
  • 'Without You' – Eliza and Professor Higgins
  • 'I've Grown Accustomed to Her Face' – Professor Higgins
  • 'I Could Have Danced All Night (Reprise) / Finale' – The Orchestra

Background[edit]

In the mid-1930s, film producer Gabriel Pascal acquired the rights to produce film versions of several of George Bernard Shaw's plays, Pygmalion among them. However, Shaw, having had a bad experience with The Chocolate Soldier, a Viennese operetta based on his play Arms and the Man, refused permission for Pygmalion to be adapted into a musical. After Shaw died in 1950, Pascal asked lyricist Alan Jay Lerner to write the musical adaptation. Lerner agreed, and he and his partner Frederick Loewe began work. But they quickly realised that the play violated several key rules for constructing a musical: the main story was not a love story, there was no subplot or secondary love story, and there was no place for an ensemble.[4] Many people, including Oscar Hammerstein II, who, with Richard Rodgers, had also tried his hand at adapting Pygmalion into a musical and had given up, told Lerner that converting the play to a musical was impossible, so he and Loewe abandoned the project for two years.[5]

During this time, the collaborators separated and Gabriel Pascal died. Lerner had been trying to musicalize Li'l Abner when he read Pascal's obituary and found himself thinking about Pygmalion again.[6] When he and Loewe reunited, everything fell into place. All of the insurmountable obstacles that had stood in their way two years earlier disappeared when the team realised that the play needed few changes apart from (according to Lerner) 'adding the action that took place between the acts of the play'.[7] They then excitedly began writing the show. However, Chase Manhattan Bank was in charge of Pascal's estate, and the musical rights to Pygmalion were sought both by Lerner and Loewe and by Metro-Goldwyn-Mayer, whose executives called Lerner to discourage him from challenging the studio. Loewe said, 'We will write the show without the rights, and when the time comes for them to decide who is to get them, we will be so far ahead of everyone else that they will be forced to give them to us.'[8] For five months Lerner and Loewe wrote, hired technical designers, and made casting decisions. The bank, in the end, granted them the musical rights.

Lerner settled on the title My Fair Lady, relating both to one of Shaw's provisional titles for Pygmalion, Fair Eliza, and to the final line of every verse of the nursery rhyme 'London Bridge Is Falling Down'. Recalling that the Gershwins' 1925 musical Tell Me More had been titled My Fair Lady in its out-of-town tryout, and also had a musical number under that title, Lerner made a courtesy call to Ira Gershwin, alerting him to the use of the title for the Lerner and Loewe musical.[citation needed]

Noël Coward was the first to be offered the role of Henry Higgins, but he turned it down, suggesting the producers cast Rex Harrison instead.[9] After much deliberation, Harrison agreed to accept the part. Mary Martin was an early choice for the role of Eliza Doolittle, but declined the role.[10] Young actress Julie Andrews was 'discovered' and cast as Eliza after the show's creative team went to see her Broadway debut in The Boy Friend.[citation needed]Moss Hart agreed to direct after hearing only two songs. The experienced orchestrators Robert Russell Bennett and Philip J. Lang were entrusted with the arrangements, and the show quickly went into rehearsal.[citation needed]

The musical's script used several scenes that Shaw had written especially for the 1938 film version of Pygmalion, including the Embassy Ball sequence and the final scene of the 1938 film rather than the ending for Shaw's original play.[citation needed] The montage showing Eliza's lessons was also expanded, combining both Lerner's and Shaw's dialogue. The artwork on the original playbill (and the sleeve of the cast recording) is by Al Hirschfeld, who drew the playwright Shaw as a heavenly puppetmaster pulling the strings on the Henry Higgins character, while Higgins in turn attempts to control Eliza Doolittle.[citation needed]

Productions[edit]

Original Broadway production[edit]

Program from Mark Hellinger Theatre

The musical had its pre-Broadway tryout at New Haven's Shubert Theatre. At the first preview Rex Harrison, who was unaccustomed to singing in front of a live orchestra, 'announced that under no circumstances would he go on that night...with those thirty-two interlopers in the pit'.[11] He locked himself in his dressing room and came out little more than an hour before curtain time. The whole company had been dismissed but were recalled, and opening night was a success.[12]My Fair Lady then played for four weeks at the Erlanger Theatre in Philadelphia, beginning on February 15, 1956.

The musical premiered on Broadway March 15, 1956, at the Mark Hellinger Theatre in New York City. It transferred to the Broadhurst Theatre and then The Broadway Theatre, where it closed on September 29, 1962, after 2,717 performances, a record at the time. By the start of 1959, it was already the biggest grossing Broadway show of all-time with a gross of $10 million.[13]Moss Hart directed and Hanya Holm was choreographer. In addition to stars Rex Harrison, Julie Andrews and Stanley Holloway, the original cast included Robert Coote, Cathleen Nesbitt, John Michael King, and Reid Shelton.[14] Harrison was replaced by Edward Mulhare in November 1957 and Sally Ann Howes replaced Andrews in February 1958.[15][16]

The Original Cast Recording, released on April 2, 1956, went on to become the best-selling album in the country in 1956.[17]

Original London production[edit]

The West End production, in which Harrison, Andrews, Coote, and Holloway reprised their roles, opened on April 30, 1958, at the Theatre Royal, Drury Lane, where it ran for five and a half years[18] (2,281 performances). Edwardian musical comedy star Zena Dare made her last appearance in the musical as Mrs. Higgins.[19]Leonard Weir played Freddy. Harrison left the London cast in March 1959, followed by Andrews in August 1959 and Holloway in October 1959.

1970s revivals[edit]

The first revival opened at the St. James Theatre on Broadway on March 25, 1976, and ran there until December 5, 1976; it then transferred to the Lunt-Fontanne Theatre, running from December 9, 1976, until it closed on February 20, 1977, after a total of 377 performances and 7 previews. The director was Jerry Adler, with choreography by Crandall Diehl, based on the original choreography by Hanya Holm. Ian Richardson starred as Higgins, with Christine Andreas as Eliza, George Rose as Alfred P. Doolittle and Robert Coote recreating his role as Pickering.[14] Both Richardson and Rose were nominated for the Tony Award for Best Actor in a Musical, with the award going to Rose.

A London revival opened at the Adelphi Theatre in October 1979, with Tony Britton as Higgins, Liz Robertson as Eliza, Dame Anna Neagle as Higgins' mother, Peter Bayliss, Richard Caldicot and Peter Land. The revival was produced by Cameron Mackintosh and directed by the author, Alan Jay Lerner. A national tour was directed by Robin Midgley.[20][21][22]Gillian Lynne choreographed.[23] Britton and Robertson were both nominated for Olivier Awards.[24]

1981 and 1993 Broadway revivals[edit]

Another Broadway revival of the original production opened at the Uris Theatre on August 18, 1981, and closed on November 29, 1981, after 120 performances and 4 previews. Rex Harrison recreated his role as Higgins, with Jack Gwillim, Milo O'Shea, and Cathleen Nesbitt, at 93 years old reprising her role as Mrs. Higgins. The revival co-starred Nancy Ringham as Eliza. The director was Patrick Garland, with choreography by Crandall Diehl, recreating the original Hanya Holm dances.[14][25]

A new revival directed by Howard Davies opened at the Virginia Theatre on December 9, 1993, and closed on May 1, 1994, after 165 performances and 16 previews. The cast starred Richard Chamberlain, Melissa Errico and Paxton Whitehead. Julian Holloway, son of Stanley Holloway, recreated his father's role of Alfred P. Doolittle. Donald Saddler was the choreographer.[14][26]

2001 London revival; 2003 Hollywood Bowl production[edit]

Cameron Mackintosh produced a new production on March 15, 2001, at the Royal National Theatre, which transferred to the Theatre Royal, Drury Lane on July 21. Directed by Trevor Nunn, with choreography by Matthew Bourne, the musical starred Martine McCutcheon as Eliza and Jonathan Pryce as Higgins, with Dennis Waterman as Alfred P. Doolittle. This revival won three Olivier Awards: Outstanding Musical Production, Best Actress in a Musical (Martine McCutcheon) and Best Theatre Choreographer (Matthew Bourne), with Anthony Ward receiving a nomination for Set Design.[27] In December 2001, Joanna Riding took over the role of Eliza, and in May 2002, Alex Jennings took over as Higgins, both winning Olivier Awards for Best Actor and Best Actress in a Musical respectively in 2003.[28] In March 2003, Anthony Andrews and Laura Michelle Kelly took over the roles until the show closed on August 30, 2003.[29]

A UK tour of this production began September 28, 2005. The production starred Amy Nuttall and Lisa O'Hare as Eliza, Christopher Cazenove as Henry Higgins, Russ Abbot and Gareth Hale as Alfred Doolittle, and Honor Blackman[30] and Hannah Gordon as Mrs. Higgins. The tour ended August 12, 2006.[31]

In 2003 a production of the musical at the Hollywood Bowl starred John Lithgow as Henry Higgins, Melissa Errico as Eliza Doolittle, Roger Daltrey as Alfred P. Doolittle and Paxton Whitehead as Colonel Pickering.[32]

2018 Broadway revival[edit]

Lincoln Center Theater and Nederlander Presentations Inc. announced plans to mount a new Broadway revival in 2018. The revival began previews on March 15, 2018, at the Vivian Beaumont Theater and officially opened on April 19, 2018. It is directed by Bartlett Sher with choreography by Christopher Gattelli, scenic design by Michael Yeargan, costume design by Catherine Zuber and lighting design by Donald Holder.[33] The cast includes Lauren Ambrose as Eliza, Harry Hadden-Paton as Professor Henry Higgins, Diana Rigg as Mrs. Higgins, Norbert Leo Butz as Alfred P. Doolittle, Allan Corduner as Colonel Pickering, Jordan Donica as Freddy, and Linda Mugleston as Mrs. Pearce.[34][35]Rosemary Harris replaced Rigg as Mrs. Higgins from September 11, 2018.[36]

Laura Benanti replaced Ambrose as Eliza, originally for a limited engagement from October 23, 2018 to February 17, 2019.[37] Benanti has extended her engagement to July 7, 2019.[38]Danny Burstein replaced Butz as Alfred P. Doolittle for a limited engagement from January 8 to April 28, 2019.[39] Christian Dante White took over as Freddy on January 8, 2019.[40]Alexander Gemignani replaced Burstein as Alfred P. Doolittle on April 30, 2019.[41]

It was announced on May 15, 2019 that the revival will close on July 7, 2019. At the time of closing, the show will have played 39 previews and 548 performances.

Other major productions[edit]

Berlin, 1961[edit]

A German translation of My Fair Lady opened on October 1, 1961, at the Theater des Westens in Berlin, starring Karin Hübner and Paul Hubschmid (and conducted, as was the Broadway opening, by Franz Allers). Coming at the height of Cold War tensions, just weeks after the closing of the East Berlin–West Berlin border and the erection of the Berlin Wall, this was the first staging of a Broadway musical in Berlin since World War II. As such it was seen as a symbol of West Berlin's cultural renaissance and resistance. Lost attendance from East Berlin (now no longer possible) was partly made up by a 'musical air bridge' of flights bringing in patrons from West Germany, and the production was embraced by Berliners, running for two years.[42][43]

2007 New York Philharmonic concert and US tour[edit]

In 2007 the New York Philharmonic held a full-costume concert presentation of the musical. The concert had a four-day engagement lasting from March 7–10 at Lincoln Center's Avery Fisher Hall. It starred Kelsey Grammer as Higgins, Kelli O'Hara as Eliza, Charles Kimbrough as Pickering, and Brian Dennehy as Alfred Doolittle. Marni Nixon played Mrs. Higgins; Nixon had provided the singing voice of Audrey Hepburn in the film version.[44]

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A U.S. tour of Mackintosh's 2001 West End production ran from September 12, 2007, to June 22, 2008.[45] The production starred Christopher Cazenove as Higgins, Lisa O'Hare as Eliza, Walter Charles as Pickering, Tim Jerome as Alfred Doolittle[46] and Nixon as Mrs. Higgins, replacing Sally Ann Howes.[47]

2008 Australian tour[edit]

An Australian tour produced by Opera Australia commenced in May 2008. The production starred Reg Livermore as Higgins, Taryn Fiebig as Eliza, Robert Grubb as Alfred Doolittle and Judi Connelli as Mrs Pearce. John Wood took the role of Alfred Doolittle in Queensland, and Richard E. Grant played the role of Henry Higgins at the Theatre Royal, Sydney.[48]

2010 Paris revival[edit]

A new production was staged by Robert Carsen at the Théâtre du Châtelet in Paris for a limited 27-performance run, opening December 9, 2010, and closing January 2, 2011. It was presented in English. The costumes were designed by Anthony Powell and the choreography was by Lynne Page. The cast was as follows: Sarah Gabriel / Christine Arand (Eliza Doolittle), Alex Jennings (Henry Higgins), Margaret Tyzack (Mrs. Higgins), Nicholas Le Prevost (Colonel Pickering), Donald Maxwell (Alfred Doolittle), and Jenny Galloway (Mrs. Pearce).[49]

2012 Sheffield production[edit]

A new production of My Fair Lady opened at Sheffield Crucible on December 13, 2012. Dominic West played Henry Higgins, and Carly Bawden played Eliza Doolittle. Sheffield Theatres' Artistic Director Daniel Evans was the director. The production ran until January 26, 2013.[50][51]

2016 Australian production[edit]

The Gordon Frost Organisation, together with Opera Australia, presented a production at the Sydney Opera House from August 30 to November 5, 2016. It was directed by Dame Julie Andrews and featured the set and costume designs of the original 1956 production by Oliver Smith and Cecil Beaton.[52] The production sold more tickets than any other in the history of the Sydney Opera House.[53] The show is then planned to tour to Brisbane from March 12 and Melbourne from May 11. The show's opening run in Sydney was so successful that in November 2016, ticket pre-sales were released for a re-run in Sydney, with the extra shows scheduled between August 24 and September 10, 2017, at the Capitol Theatre.

The cast featured Alex Jennings as Henry Higgins (later Charles Edwards), Anna O'Byrne as Eliza Doolittle (later Elisa Colla), Reg Livermore as Alfred P. Doolittle, Robyn Nevin as Mrs. Higgins (later Pamela Rabe), Mark Vincent as Freddy Eynsford-Hill (later Joel Parnis), Tony Llewellyn-Jones as Colonel Pickering, Deidre Rubenstein as Mrs. Pearce, and David Whitney as Karpathy (later Glen Hogstrom).[54][55][56]

Critical reception[edit]

According to Geoffrey Block, 'Opening night critics immediately recognized that My Fair Lady fully measured up to the Rodgers and Hammerstein model of an integrated musical...Robert Coleman...wrote 'The Lerner-Loewe songs are not only delightful, they advance the action as well. They are ever so much more than interpolations, or interruptions.'[57] The musical opened to 'unanimously glowing reviews, one of which said 'Don't bother reading this review now. You'd better sit right down and send for those tickets...' Critics praised the thoughtful use of Shaw's original play, the brilliance of the lyrics, and Loewe's well-integrated score.'[58]

A sampling of praise from critics, excerpted from a book form of the musical, published in 1956.[59]

  • 'My Fair Lady is wise, witty, and winning. In short, a miraculous musical.' Walter Kerr, New York Herald Tribune.
  • 'A felicitous blend of intellect, wit, rhythm and high spirits. A masterpiece of musical comedy ... a terrific show.' Robert Coleman, New York Daily Mirror.
  • 'Fine, handsome, melodious, witty and beautifully acted ... an exceptional show.' George Jean Nathan, New York Journal American.
  • 'Everything about My Fair Lady is distinctive and distinguished.' John Chapman, New York Daily News.
  • 'Wonderfully entertaining and extraordinarily welcomed ... meritorious in every department.' Wolcott Gibbs, The New Yorker.
  • 'One of the 'loverliest' shows imaginable ... a work of theatre magic.' John Beaufort, The Christian Science Monitor.
  • 'An irresistible hit.' Variety.
  • 'One of the best musicals of the century.' Brooks Atkinson, The New York Times.

The reception from Shavians was more mixed, however. Eric Bentley, for instance, called it 'a terrible treatment of Mr. Shaw's play, [undermining] the basic idea [of the play]', even though he acknowledged it as 'a delightful show'.[60]

Principal roles and casting history[edit]

CharacterBroadway
(1956)[61]
West End
(1958)[62]
Broadway
(1976)[63]
West End
(1979)[64]
Broadway
(1981)[65]
Broadway
(1993)[66]
West End
(2001)[67]
Hollywood Bowl
(2003)[68][69]
Broadway
(2018)[70]
Eliza Doolittle
Julie Andrews
Christine AndreasLiz RobertsonNancy RinghamMelissa ErricoMartine McCutcheonMelissa ErricoLauren Ambrose
Henry Higgins
Rex Harrison
Ian RichardsonTony BrittonRex HarrisonRichard ChamberlainJonathan PryceJohn LithgowHarry Hadden-Paton
Alfred P. Doolittle
Stanley Holloway
George RosePeter Bayliss[71]Milo O'SheaJulian HollowayDennis WatermanRoger DaltreyNorbert Leo Butz
Mrs. HigginsCathleen NesbittZena DareBrenda ForbesAnna NeagleCathleen NesbittDolores SuttonCaroline BlakistonRosemary HarrisDiana Rigg
Colonel Hugh Pickering
Robert Coote
Richard CaldicotJack GwillimPaxton WhiteheadNicholas Le PrevostPaxton WhiteheadAllan Corduner
Freddy Eynsford-HillJohn Michael KingLeonard WeirJerry LanningPeter Land[72]Nicholas WymanRobert SellaMark UmbersKevin EarlyJordan Donica
Mrs. PearcePhilippa BevansBetty WoolfeSylvia O'BrienBetty Paul[73]Marian BaerGlynis BellPatsy RowlandsLauri JohnsonLinda Mugleston
Zoltan KarpathyChristopher HewettMax OldakerJohn ClarksonKalman GlassJack SevierJames YoungSevan StephanManu Narayan

Awards and nominations[edit]

Original Broadway production[edit]

Sources: BroadwayWorld[74] TheatreWorldAwards[75]

YearAwardCategoryNomineeResult
1956Theatre World AwardOutstanding New York City Stage Debut PerformanceJohn Michael KingWon
1957Tony AwardBest MusicalWon
Best Performance by a Leading Actor in a MusicalRex HarrisonWon
Best Performance by a Leading Actress in a MusicalJulie AndrewsNominated
Best Performance by a Featured Actor in a MusicalRobert CooteNominated
Stanley HollowayNominated
Best Direction of a MusicalMoss HartWon
Best ChoreographyHanya HolmNominated
Best Scenic DesignOliver SmithWon
Best Costume DesignCecil BeatonWon
Best Conductor and Musical DirectorFranz AllersWon

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1976 Broadway revival[edit]

Sources: BroadwayWorld[76] Drama Desk[77]

YearAwardCategoryNomineeResult
1976Tony AwardBest Performance by a Leading Actor in a MusicalIan RichardsonNominated
George RoseWon
Drama Desk AwardOutstanding Revival of a MusicalNominated
Outstanding Actor in a MusicalIan RichardsonWon
Outstanding Featured Actor in a MusicalGeorge RoseWon
Outstanding Director of a MusicalJerry AdlerNominated

1979 London revival[edit]

Source: Olivier Awards[78]

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YearAwardCategoryNomineeResult
1979Laurence Olivier AwardBest Actor in a MusicalTony BrittonNominated
Best Actress in a MusicalLiz RobertsonNominated

1981 Broadway revival[edit]

Source: BroadwayWorld[79]

YearAwardCategoryNomineeResult
1982Tony AwardBest RevivalNominated

1993 Broadway revival[edit]

Source: Drama Desk[80]

YearAwardCategoryNomineeResult
1993Drama Desk AwardOutstanding Revival of a MusicalNominated
Outstanding Actress in a MusicalMelissa ErricoNominated
Outstanding Costume DesignPatricia ZipprodtNominated

2001 London revival[edit]

Source: Olivier Awards[81]

YearAwardCategoryNomineeResult
2002Laurence Olivier AwardOutstanding Musical ProductionWon
Best Actor in a MusicalJonathan PryceNominated
Best Actress in a MusicalMartine McCutcheonWon
Best Performance in a Supporting Role in a MusicalNicholas Le PrevostNominated
Best Theatre ChoreographerMatthew BourneWon
Best Set DesignAnthony WardNominated
Best Costume DesignNominated
Best Lighting DesignDavid HerseyNominated
2003Best Actor in a MusicalAlex JenningsWon
Best Actress in a MusicalJoanna RidingWon

2018 Broadway revival[edit]

YearAwardCategoryNomineeResult
2018Tony AwardBest Revival of a MusicalNominated
Best Actor in a MusicalHarry Hadden-PatonNominated
Best Actress in a MusicalLauren AmbroseNominated
Best Featured Actor in a MusicalNorbert Leo ButzNominated
Best Featured Actress in a MusicalDiana RiggNominated
Best Direction of a MusicalBartlett SherNominated
Best ChoreographyChristopher GattelliNominated
Best Scenic Design in a MusicalMichael YearganNominated
Best Lighting Design in a MusicalDonald HolderNominated
Best Costume Design in a MusicalCatherine ZuberWon
Drama Desk AwardOutstanding Revival of a MusicalWon
Outstanding Actor in a MusicalHarry Hadden-PatonNominated
Outstanding Featured Actress in a MusicalDiana RiggNominated
Outstanding Director of a MusicalBartlett SherNominated
Outstanding Costume Design for a MusicalCatherine ZuberWon
Drama League AwardOutstanding Revival of a Broadway or Off-Broadway MusicalWon
Distinguished Performance Award[82]Lauren AmbroseNominated
Harry Hadden-PatonNominated
Outer Critics Circle AwardOutstanding Revival of a MusicalWon
Outstanding Actor in a MusicalHarry Hadden-PatonNominated
Outstanding Actress in a MusicalLauren AmbroseWon
Outstanding Featured Actor in a MusicalNorbert Leo ButzWon
Outstanding Director of a MusicalBartlett SherWon[83]
Outstanding ChoreographyChristopher GattelliNominated
Outstanding Set Design (Play or Musical)Michael YeaganNominated
Outstanding Costume Design (Play or Musical)Catherine ZuberWon
Outstanding Sound Design (Play or Musical)Marc SalzbergNominated
2019Grammy AwardsGrammy Award for Best Musical Theater AlbumNominated

Adaptations[edit]

1964 film[edit]

An Oscar-winning film version was made in 1964, directed by George Cukor and with Harrison again in the part of Higgins. The casting of Audrey Hepburn instead of Julie Andrews as Eliza was controversial, partly because theatregoers regarded Andrews as perfect for the part and partly because Hepburn's singing voice was dubbed (by Marni Nixon). Jack L. Warner, the head of Warner Bros., which produced the film, wanted 'a star with a great deal of name recognition', but since Julie Andrews did not have any film experience, he thought a movie with her would not be as successful.[84] (Andrews went on to star in Mary Poppins that same year for which she won both the Academy Award and the Golden Globe for Best Actress.) Lerner in particular disliked the film version of the musical, thinking it did not live up to the standards of Moss Hart's original direction. He was also unhappy with the casting of Hepburn as Eliza Doolittle and that the film was shot in its entirety at the Warner Bros. studio rather than, as he would have preferred, in London.[85] Despite the controversy, My Fair Lady was considered a major critical and box office success, ultimately going on to win eight Academy Awards, including Best Picture of the Year, Best Actor for Rex Harrison, and Best Director for George Cukor.

Unrealized film in 2000s[edit]

A new Disney adaptation was announced by Columbia Pictures in 2008,[86] but as of May 5, 2014, the project had been shelved.[87] The intention was to shoot on location in Covent Garden, Drury Lane, Tottenham Court Road, Wimpole Street and the Ascot Racecourse.[88] In December 2009, it was announced that John Madden had been signed to direct it and in 2011 it was reported that Colin Firth and Carey Mulligan were possible choices for the leading roles. Emma Thompson wrote a new screenplay adaptation for the project.[89]

Notes[edit]

  1. ^See, e.g., Steyn, Mark. Broadway Babies Say Goodnight: Musicals Then and Now, Routledge (1999), p. 119 ISBN0-415-92286-0
  2. ^Steyn, Mark. 'Broadway Babies Say Goodnight:'. Google Books. Retrieved 7 September 2018.
  3. ^ ab'My Fair Lady' Synopsis, Cast, Scenes and Settings and Musical Numbers' guidetomusicaltheatre.com, accessed December 7, 2011.
  4. ^Lerner, p. 36.
  5. ^Lerner, p. 38.
  6. ^Lerner, p. 39.
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References[edit]

  • Citron, David (1995). The Wordsmiths: Oscar Hammerstein 2nd and Alan Jay Lerner, Oxford University Press. ISBN0-19-508386-5
  • Garebian, Keith (1998). The Making of My Fair Lady, Mosaic Press. ISBN0-88962-653-7
  • Green, Benny, Editor (1987). A Hymn to Him : The Lyrics of Alan Jay Lerner, Hal Leonard Corporation. ISBN0-87910-109-1
  • Jablonski, Edward (1996). Alan Jay Lerner: A Biography, Henry Holt & Co. ISBN0-8050-4076-5
  • Lees, Gene (2005). The Musical Worlds of Lerner and Loewe, Bison Books. ISBN0-8032-8040-8
  • Lerner, Alan Jay (1985). The Street Where I Live, Da Capo Press. ISBN0-306-80602-9
  • McHugh, Dominic. Loverly: The Life and Times of 'My Fair Lady' (Oxford University Press; 2012) 265 pages; uses unpublished documents to study the five-year process of the original production.
  • Shapiro, Doris (1989). We Danced All Night: My Life Behind the Scenes With Alan Jay Lerner, Barricade Books. ISBN0-942637-98-4

External links[edit]

Wikimedia Commons has media related to My Fair Lady (Broadway).

My Fair Lady Soundtrack Download Torrent

Wikiquote has quotations related to: My Fair Lady
  • My Fair Lady at the Internet Broadway Database

My Fair Lady Movie Songs

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